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SignUp Now!SeanMayTriedToEatMe said:Homeland has turned the corner. Last week's episode was very good, this week's was great. So all of Seasons 1 and 2 should be watched, Season 3 can be skipped, Season 4 episodes 1-6 can be fast forwarded through mostly, and Season 4 episode 7 onward should be watched.
StopThePumpFakesShav said:Credit to writers for suddenly rescuing a show that had been declining steadily for like 16-18 straight episodes. Probably hit rock bottom midway/end of S3. And of course it was their fault for the decline in the first place.
rome8180 said:I feel like they offered a few rays of hope, but not many. Namond escapes his awful situation at the end of the fourth season. Bubbles rises up as well.
But mostly, if you're trying to turn your life around on that show, you're probably going to end up dead soon. According to David Simon, unlike most writing the show is modeled on a Greek tragedy instead of Shakespeare. In Greek tragedy, man is crushed by the fates. In The Wire, man is crushed by "postmodern institutions" (whether they are the police force, the drug trade, the newsroom, etc.).
The show makes a point of drawing parallels between these institutions, at some points even cutting between two scenes with remarkable similar action in order to show how worlds that seem on the surface totally different are actually structured the same. And the result is the same: the thwarting of any attempts individuals make to break free of or reform the institutions that trap them.
That, to my mind, is the point of the show.
rhfarmer said:rome8180 said:I feel like they offered a few rays of hope, but not many. Namond escapes his awful situation at the end of the fourth season. Bubbles rises up as well.
But mostly, if you're trying to turn your life around on that show, you're probably going to end up dead soon. According to David Simon, unlike most writing the show is modeled on a Greek tragedy instead of Shakespeare. In Greek tragedy, man is crushed by the fates. In The Wire, man is crushed by "postmodern institutions" (whether they are the police force, the drug trade, the newsroom, etc.).
The show makes a point of drawing parallels between these institutions, at some points even cutting between two scenes with remarkable similar action in order to show how worlds that seem on the surface totally different are actually structured the same. And the result is the same: the thwarting of any attempts individuals make to break free of or reform the institutions that trap them.
That, to my mind, is the point of the show.
I agree WRT a few rays of hope, and obviously by season 5, I doubt anybody is tuning in for the happy ending. But mostly, people get chewed up and spit out and no good deed goes unpunished.
As for the making of parallels, there was a show in season three, "with all due respect" which smashed it in your face with the phrase "with all due respect" being spoken by several characters to their superiors in rapid succession in three or four scenes. I remember laughing out loud after the third time.
And if it wasn't obvious, my rating of the seasons according to who performed the theme was a joke.
skins said:Everyone who I've tried to introduce Peaky Blinders to has dismissed it because of its name. The second series finale was so, so good. I'm bummed to have to wait another year for the next season.
the pilot was really enjoyable. I still find it very enjoyable and I'm really interested to see how it goes, the first 5 episodes do a great job setting it all up while maintaining interest, it feels like shit is about to hit the fan now. I think the one criticism is how it isn't readily apparent to everybody the way they act in such a small town that they are having an affair. that last sentence I wrote was terrible.rome8180 said:Watched the pilot of The Affair. Wow. I hope it stays this good, because it's the only show I've seen recently that really interested me.