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SignUp Now!DurhamSon said:Heard from a friend that Muse has basically the best live show of any band out there.
m4a is basically the audio track of an mp4 format. It's actually a better-quality sound format than mp3s, but they're not as universal as mp3s yet. If an mp3 file is twice as big as a standard m4a, it's probably encoded at a higher bitrate. More and more mp3 releases coming out now are available at 320kbps. I'm not an iTunes user, so I'm not sure how the encoding works when you add it to the library.rome8180 said:Maybe this is more appropriate for the technology thread, but does anyone know the difference in quality between and mp3 and an m4a? From what I understand m4as are better, but what really matters is the size of the file. So if the mp3 file is twice as big is it better? Where's the tipping point? Also, since I'm putting it on iTunes after downloading it, won't it just convert it to mp3 anyway? Do I lose quality in that conversion process?
I'm asking because I use "alternative means" to download music and I've received stuff of highly varying quality. I want the best possible balance of fast download and high quality.
They were pretty solid as U2's opening act in Raleigh a couple years ago.DurhamSon said:Heard from a friend that Muse has basically the best live show of any band out there.
Pearl Jam hope to have their next album out "this year, for sure," guitarist Mike McCready tells Rolling Stone. Preparing to travel to New Orleans, where he will perform "The Star-Spangled Banner" and run the Rock 'n' Roll New Orleans Half Marathon in support of his close friend Steve Gleason, the former New Orleans Saint, McCready says the bandmembers are "working on demos right now and we're going to be recording soon.
"What everybody's been saying is halfway done," he says of the follow-up to 2009's Backspacer. "I think that's true – we have seven songs that are relatively completed. But then we have an additional 15 ready to go aside from any that Eddie brings in, so we'll weed through those."
Though he's reluctant to categorize the album just yet – "because what I can say won't make any sense until you hear it" – he can offer a few details.
"I would say as a cliché answer it's kind of a logical extension of what Backspacer was," he says. "But I think there's a little bit more experimental stuff going on. There's a Pink Floyd vibe to some of it, there's a punk rock edge to other stuff."
He's excited to reteam with producer Brendan O'Brien for the fifth time. "We're excited to get it done, because we've kind of been waiting for about two years to do it."